FIRENZE/ITALY: Martha Argerich playing Ravel Pianoconcerto in G. Obviously the expressive climax of her rendering is the central movement Adagio assai, faced by the pianist with an extraordinary palette of colors aimed to give a deeper sense of sadness, an intimate self-confession, that appeared almost a heartbreaking handover with the young musicians of the Orquestra Juvenil da Bahia under the baton of its founder Ricardo Castro, that followed her in this complicated page by Ravel with enthusiasm but with some difficulty. Review Fabio Bardelli, photo: Michele Borzoni Terra Project Contrasto.
↧